8/30/2023 0 Comments History of bauhaus typefaceIn 1925, when Gropius instructed Bayer to create a new font, he started working on the creation of a new “Universal Typeface”. He firstly joined the Bauhaus as a student and, after some years, he was named director of the printing and advertising department. Herbert Bayer (1900-1985) was an Austrian-American painter, photographer and typographer. Thanks to Itten’s studies, the Bauhaus school realized the importance of colors and students were encouraged to make their own experiments with the creation of palettes. Indeed, Itten believed that “colors are forces, radiant energies that affect us positively or negatively, whether we are aware of it or not”. Moreover, he was interested in discovering a social role of colors and in understanding how tonalities could affect people’s psychology. Itten believed in the importance of conveying harmony through the use of colors: for this reason, he created a 12 hue color wheel that explained how to mix hues and shades. In this innovative and open-minded sphere, he was able to publish his essay, “The Art of Color”, in which he expressed his own theory about chromatic tones. Johannes Itten (1888-1967) was a Swiss painter, designer, and one of the several teachers of the Bauhaus school. Thus, the school had such a huge influence on the history of design and style that easily discerned to this day. Its mission was to provide a new, affordable, plain and utilitarian design that could be used by every kind of person and in every area. The Bauhaus was composed by several departments such as those of industrial design, art, typography, graphic design, photography and architecture. Finally, they were placed in Berlin (1932-1933) before the Bauhaus was obliged to close by a Nazi regime that believed their ideas of “good objects for the people” were socialist, and didn’t suit “the demands of the new State”. The offices were originally set in Weimar (1919-1925) and then moved to Dessau (1925-1932). The school had to change its location two times. The Beginningsĭas Staatliche Bauhaus was founded by Walter Gropius and operated in Germany from 1919 to 1933. In fact, became influential in the early 2000’s by making a game out of embracing those limitations. We had to learn to prepare for all sizes.īut, like the Bauhaus thinkers, we embraced the limitations, worked with the strengths of what we had, and made cool stuff anyway. We couldn’t even predict what size our design would be presented as - it could be any size from a sticky note to a wide-cover atlas format was possible. Until very recently, we had a strictly limited font choices, small, compressed imagery, buggy type controls, laughable layout tools.
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